Maithili is also one of the names of Sita, the wife of King Rama and daughter of King Janaka. Scholars in Mithila used Sanskrit for their literary work and Maithili was the language of the common folk (Abahatta). The earliest work in Maithili appears to be Varna(n) Ratnakar by Jyotirishwar Thakur dated about 1324. With the fall of Pala rule, disappearance of Buddhism and establishment of karnāta k
ings under patronage of Harasimhadeva (1226–1324) of karnāta dynasty, Jyotirisvara Thakur (1280–1340) wrote a unique work Varnaratnākara in pure Maithili, the earliest prose in any Indian language. In 1324, Ghyasuddin Tughluq, the emperor of Delhi invaded Mithila, defeated Harasimhadeva , entrusted Mithila to his family Priest Kameshvar Jha, a Maithil Brahman of the Onibar family but disturbed era did not produce any literature until Vidyapati Thakur (1360 to 1450), an epoch making poet came up under the patronage of the like-minded king Shiva Simha and his queen LakhiMā Devi. He produced over a thousand of immortal songs in Maithili on the theme of erotic sports of Radha and Krishna and the domestic life of Shiva and Parvati, besides a number of treaties in Sanskrit on various subjects. His love-songs spread far and wide in no time and enchanted saints, poets and youth in general. Chaitanya Mahaprabhu saw divine light of love behind these songs, and soon these songs became themes of Vaisnava sect of Bengal. Rabindranath Tagore, out of curiosity, imitated these songs under the pseudonym Bhanusimha. Vidyapati influenced the religious literature of Asama, Banga and Utkala. After the invasion of Mithila by the Sultan of Johnpur, Delhi, and the disappearance of Shivasimha in 1429, Onibar rule grew weaker and the literary activity shifted to present Nepal. The earliest reference to Maithili or Tirhutiya is in Amaduzzi's preface to Beligatti's Alphabetum Brammhanicum, published in 1771. This contains a list of Indian languages amongst which is 'Tourutiana.' Colebrooke's essay on the Sanskrit and Prakrit languages, written in 1801, was the first to describe Maithili as a distinct dialect. When Mahesh Thakur, a great pandit of the Khandvala family of Maithil Brahman was installed as a feudal chief of Mithila under the Mughal empire, literary activity in Mithila language gained momentum in dance, drama and music. After a gap of about two centuries, Umapati Upadhyaya wrote a drama entitled pārijātaharaṇa in Maithili. A number of professional troupes, mostly from dalit class known as Kirtania, the singers of bhajan or devotional songs, started to perform this drama in public gatherings and the courts of the nobles. Many devotional songs were written by vaisnava saints, including Govendadas in the mid-17th century, Vidyapati, and chaitanya Gaudiya Vaisnava. Rāgatarangni of Lochana (Cr. 1575-1660) wrote a significant treatise on the science of music, describing the rāgas, tālas and lyrics prevalent in Mithila. The Malla dynasty's mother tongue was Maithili, which spread far and wide throughout Nepal from the 16th to the 17th century. During this period, at least 70 Maithili dramas were produced. In the drama Harishchandranrityam by Siddhinarayanadeva (1620–57), some characters speak pure colloquial Maithili, while others speak Bangla, Sanskrit or Prakrit. The Nepal tradition may be linked with the Anukiya Nāta in Assam and Jatra in Bengal. After the demise of Maheshvar Singh, the ruler of Darbhanga Raj, in 1860, the Raj was taken over by the British Government as regent. The return of the Darbhanga Raj to his successor, Maharaj Lakshmishvar Singh, in 1898, was marked by renewed use of the language by Ganganath Jha, Parameshvar Mishra, Chanda Jha, Munshi Raghunandan Das and others. Publication of Maithil Hita Sadhana (1905), Mithila Moda (1906), and Mithila Mihir (1908), further encouraged writers. The first social organization, Maithil Mahasabha was established in 1910 for the development of Mithili and Maithili, and it was supplemented by similar organizations. Maithil Mahasabha campaigned for official recognition of Maithili as a regional language. Calcutta University recognized Maithili in 1917, and other universities followed suit. In 1965, Maithili was officially accepted by Sahitya Academy, an organization dedicated to the promotion of Indian literature. Since the language's inclusion, works in Maithili (including translations of works from other languages) have often been recipients of its awards. In 2003 Maithili was recognized on the VIII schedule of the Indian Constitution as a major Indian language; Maithili is now one of the 22 national languages of India.
