Adrian Gomar Music

16/10/2025

Having an absolute blast turning an Xbox game controller into a fully playable musical instrument 🎵

In this third video I'm playing a hybrid track using hangs, piano and kalimba among several synths, all triggered and manipulated through the controller. It’s surprisingly expressive.

Thanks again to Michael Hartung who posted an excellent explanation for how to connect Wwise with Max/MSP with the WAAPI (Wwise Authoring API) on Audiokinetic’s website

Thinking about packaging everything into a GitHub repo so anyone can download it and use it to test their own sounds in a controller. Would you be interested in trying it out? Drop a comment below 🚀

15/09/2025

Imagine generative AI was our only way to create music 🎵

We’d all be stuck wrestling with models, weights, seeds, and prompts. Style-specific models would pop up, people would cling to their personal favorite seeds searching for the best sounding ones. Endless prompt tweaks would replace all decisions.

Then, one day, a real DAW gets released. Something along the lines of Cubase, Logic and Ableton. Tools that let you shape every note, every instrument, every nuance.
Suddenly we're free to create music from A to Z, with endless possibilities that let you decide what the music should be.
Suddenly, music can become a personal expression of the humans that created it.

The migration to this new software would be massive. Overnight, generative AI would be exposed for what it really is: a shortcut, not a substitute for human expression. Because at the end of the day, people don’t crave “outputs.” They crave music with a voice. And only humans have one.

02/05/2025

Thrilled to announce the release of the Roots of Tomorrow soundtrack across all platforms.
Composed over the past 3 years, the Roots of Tomorrow soundtrack includes 40 minutes of cinematic folk with a fresh musical take on several French regions like Paris, Cantal, Provence, Brittany or Normandie.

A heartfelt thank you to Gamabilis for giving me the opportunity to work on this beautiful game !
https://musics.to/rootsoftomorrow

02/05/2025

25/04/2025

Just wrapped up for good one of the most meaningful projects I've worked on: composing the soundtrack for Roots of Tomorrow, a farm simulator game about sustainable agriculture and agroecology, .

This was not only about creating beautiful music, it was about translating the themes of resilience, growth and creating a better future into sound. To do so, we worked with many studio musicians like harmonica virtuoso Alex Paclin and folk violinist Rachel Crick to tailor the different settings accordingly to the places they represent.

This settings are inspired by real French regions like Paris, Normandy and Brittany. Rather than drawing on traditional or folkloric references, we approached each region with a fresh and modern perspective, aiming to reimagine their sonic identities.

The result is this 40-minute album of cinematic, ambient folk. Huge thanks to Gamabilis for this opportunity and support on the soundtrack release. The album drops on May 2nd !

10/02/2025

Sur Mission Apocalypse, jeu coréalisé avec la BnF - Bibliothèque nationale de France, nous avons fait appel à une équipe talentueuse :
Boughida Faouzi au game et narrative design
Daniele Scali à la direction artistique
Félix Belthoise pour la programmation et le level design
Adrian Gomar Music à la composition musicale
Laurent Checola à la production
Bon jeu !

09/02/2025

Ravi d'avoir composé la musique du jeu Mission Apocalypse qui accompagne l'exposition "Apocalyse hier et demain" de la Bibliothèque Nationale de France.

Vous pouvez jouer gratuitement sur le lien suivant : https://expositions.bnf.fr/apocalypse/

Pour la bande-son nous avons enregistré les sons médiévaux du nyckelharpa joué par Eléonore Billy et du luth joué par Florent Marie . Un grand merci à eux pour leurs excellentes performances !

09/08/2023

Using a gamepad to trigger Wwise events has many advantages. First, every composer and sound designer can test their work, even in the case where they don’t have access to the Unity or Unreal Engine game scenes.

Taking one step further, this setup allows you to consider the gamepad as a musical instrument itself. As a matter of fact, it behaves as a musical instrument in many ways. You can use some buttons as piano keys, others as percussion, and so on.

Thanks to Michael Hartung who posted an excellent explanation for how to connect Wwise with Max/MSP with the WAAPI (Wwise Authoring API) on Audiokinetic’s website.

Here I’m playing a whole track using a Xbox gamepad to trigger Wwise events with MaxMSP :

09/05/2023

www.adriangomar.com

Mon nouveau site web est en ligne. Vous pouvez écouter certaines de mes musiques, accéder à l'ensemble de mes réseaux et voir mon showreel 👾

Composer and Audio designer working on games. Games: Malkyrs, Drift into Eternity, Roots of Tomorrow. Apps: Lonofi, AMS

25/11/2022

Nouvelles musiques pour Roots of Tomorrow Gamabilis. Vous pourrez les écouter bientôt dans les scénarios à venir !

17/09/2022

Próximo concierto de Grup Mixtour el 20 de septiembre con un programa ecléctico marca de la casa y un estreno de Carlos Fontcuberta. GO!

La formación que dirige Pablo Rus interpretará el 20 de septiembre un programa ecléctico que incluirá también piezas del japonés Hosokawa y la alemana Isabel Mundry, una de las referentes femeninas más importantes de la música clásica contemporánea europea. Además, estrenarán una obra de...

09/09/2022

Voici l'artbook de Roots of Tomorrow, un jeu de simulation agroécologique pour lequel j'ai eu le plaisir de composer la musique. Grand merci à Gamabilis pour ce beau projet engagé !