Department of Drama, Theatre & Dance - Royal Holloway

Department of Drama, Theatre & Dance - Royal Holloway The Department of Drama and Theatre is one of the leading theatre departments in the country.

Our academic members of staff offer an unrivalled breadth of historical, global, and practice-based approaches to the field. In the top ten in the UK for research, the department has a vibrant undergraduate body and hosts the largest postgraduate community in the country. We recently opened the Caryl Churchill Theatre, replacing the old 'black box' Studio. Designed by architects Foster Wilson, the

new three-level theatre seats more than 175 people and is located adjacent to the Georgian house that hosts the majority of the department, the Katharine Worth Building.

Expanding Ballet One Le***an Story at a Time: Inside Northern Ballet’s Gentleman Jack In this talk, Clare Croft, dance s...
02/04/2026

Expanding Ballet One Le***an Story at a Time: Inside Northern Ballet’s Gentleman Jack

In this talk, Clare Croft, dance scholar and dramaturg for Northern Ballet’s new ballet Gentleman Jack (on at Sadler’s Wells from May 19-23) will discuss how centering a ballet on a le***an character destabilizes longstanding balletic codes of chivalry and gender.


Professor Clare Croft (Department of American Culture, University of Michigan) is a writer, dance historian, theorist, dramaturg and curator, and someone who dances. Croft serves as dramaturg for the Northern Ballet’s (Leeds UK) Gentleman Jack, choreographed by Annabelle Lopez Ochoa and currently on tour throughout the UK. Croft is the author of Jill Johnston in Motion: Dance, Writing, and Le***an Life and the editor of The Essential Jill Johnston Reader (Duke University Press 2024). She is also the editor of Q***r Dance: Meanings and Makings (Oxford 2017; 2nd edition forthcoming in 2026); the founder/curator of the EXPLODE q***r dance festival; and the author of Dancers as Diplomats: American Choreography in Cultural Exchange. Croft’s dance criticism has appeared in The Washington Postand The Brooklyn Rail. Croft holds a PhD in Performance as Public Practice from the University of Texas-Austin (US).

Wednesday 20th May, 2026. 6-7pm

RHUL, 11 Bedford Square, London WC1B 3RE
First Floor Lady Herringham Room 1-01 (BEDSQ-1-01)

FYPs are over but we have so many amazing things to look forward to next term! There’s a jam packed line up of performan...
02/04/2026

FYPs are over but we have so many amazing things to look forward to next term! There’s a jam packed line up of performances, workshops, and professional development opportunities, including the nine performances of the MA theatre directing season. All activities are open to students across Music, Drama, and Media Arts, from UG to PGR. To access the full programme and book your spaces, check your emails 📩

And finally, to finish off the FYP Festival, we have The Issue by Candle and Quill Theatre! Well done to all the amazing...
01/04/2026

And finally, to finish off the FYP Festival, we have The Issue by Candle and Quill Theatre! Well done to all the amazing FYPs we’ve seen the last two days.

The second performance today is Ariadne’s Thread by In-Between Theatre in our beautiful Boilerhouse Theatre space!
01/04/2026

The second performance today is Ariadne’s Thread by In-Between Theatre in our beautiful Boilerhouse Theatre space!

The first performance of Day 2 of the FYP Festival was a gothic horror, Immaculata Creatura from Dissection Theatre. Wha...
01/04/2026

The first performance of Day 2 of the FYP Festival was a gothic horror, Immaculata Creatura from Dissection Theatre. What an amazing way to kick off the final day!

Incantations Friday Lates at the National Gallery – Royal Holloway Takeover Mar 27thThis devised piece put the stereotyp...
01/04/2026

Incantations Friday Lates at the National Gallery – Royal Holloway Takeover Mar 27th

This devised piece put the stereotype of the European witch on trial, through a performance which was at turns playful and deadly serious. Staged in front of Salvator Rosa’s ‘Witches at Their Incantations’ the piece gestured towards the lived experienced sitting behind the depiction of witchcraft – from witchfinders of the past to contemporary othering of women who ‘don’t fit’. The piece used gentle interaction to elicit support for its witchfinder, even bringing audience members in to help point the finger of accusation. Its playfulness was turned on its head when the ‘witches’ reject their domineering leader and his cliches of witchery, and instead turned direct to the audience to offer moving testimony of real women who’d been accused and murdered in witch trials of the past.

The piece was perfectly pitched for a mixed audience of gallery go-ers, offering a thoughtful perspective and using theatre-making influences from classical Shakespeare to more subversive Forced Entertainment. By devising and staging performance in a major British Gallery, our students were able to learn about creating work which opens important and exciting cultural conversations – around gender, representation as well as when and where performance takes place – and how it can be part of new cultural shifts in how institutions engage with their publics.

Created and performed by Olivia Cole, Alexander Knott, Kelleen Moriarty, Eliott Malhotra, and Elijah Olukoya

And our third show today bold and unsettling surrealism with a twist from Insomnium Theatre - what a strong range of div...
31/03/2026

And our third show today bold and unsettling surrealism with a twist from Insomnium Theatre - what a strong range of diverse making and ideas we have seen today, huge congratulations to all our brilliant groups, looking forward to tomorrow’s performances!!

Our second FYP - Step into the Forest theatre for young audiences - a warm hearted magical trip to the enchanted woods f...
31/03/2026

Our second FYP - Step into the Forest theatre for young audiences - a warm hearted magical trip to the enchanted woods for us story explorers…. Wonderful stuff!

That’s the first FYP done! Keep an eye out for the following performances today and tomorrow 👀🎭
31/03/2026

That’s the first FYP done! Keep an eye out for the following performances today and tomorrow 👀🎭

‘The Gaze’ – Friday Lates at the National Gallery – Royal Holloway Takeover Mar 27thThe Rokeby Venus is a notorious pain...
31/03/2026

‘The Gaze’ – Friday Lates at the National Gallery – Royal Holloway Takeover Mar 27th

The Rokeby Venus is a notorious painting, depicting a naked Venus, which was attacked by suffragette Mary Richardson. ‘The Gaze’ explored the affect of the male gaze, using the violence the Rokeby Venus has endured as a starting point and motif. ‘The Gaze’ explored the whole life of the painting, from it’s creation in Italy to the looks it garners in the gallery today. Four vignettes were devised and perfomed, moments in the painting’s life which contain violence or in which violence occurred against it. Diego Velazquez’s forgotten subject, the anonymous woman who is the model of the painting; the century where it hung in Rokeby Park, sequestered away for a privileged, male audience; Mary Richardson’s attack for the suffragette movement, when Richardson slashed the painting five times, the marks still (just) visible. Finally the piece turned its own gaze on the men who are left gawping at it in the gallery.

Audiences were attracted and intrigued by the piece which staged vignettes concurrently in different places in the gallery, cycling through moments in the painting’s history, with dance, text, physical theatre and monologue all counterpointing one another, and the troubled refrain of ‘beautiful’ acquiring more and more complex and ambivalent associations. What was the cost of female beauty to Venus? What is its value now? By devising and staging performance in a major British Gallery, our students were able to learn about creating work which opens important and exciting cultural conversations – around gender, representation as well as when and where performance takes place – and how it can be part of new cultural shifts in how institutions engage with their publics.

Collaboratively created by the following cast:
Monica Leon - Venus
Juliet Mann - Venus
Hana Fukui - Rokeby’s Visitor, Mary Richardson
Bradley Shore - Diego Velazquez, Man
Jack Piggott - J.B.S Morritt, Man

Performing in the Gallery: Friday Lates at the National Gallery – RHUL Takeover!Last Friday our MA Theatre Directing stu...
30/03/2026

Performing in the Gallery: Friday Lates at the National Gallery – RHUL Takeover!

Last Friday our MA Theatre Directing students performed their specially devised performances as Happenings in the National Gallery. Invited by Curator Joseph Kendra to respond to pieces in the national collection, the directing students developed two thoughtful pieces which explored ideas of art, ownership and performance, in rooms 30 and 32. The performances were well attended – some people came knowing they’d see the work, others happened across it, becoming accidental spectators. The atmosphere felt curious and convivial, with multiple generations stopping to see and our students demonstrating their creativity and virtuosity. Student takeovers form part of the National Gallery’s ongoing project of inviting collaboration and co-creating from the wider community, and is a partnership RHUL is looking to develop and deepen in the coming years.

Address

Katharine Worth Building, Royal Holloway University Of London, Egham Campus
Egham
TW200EX

Opening Hours

Monday 9am - 6pm
Tuesday 9am - 6pm
Wednesday 9am - 6pm
Thursday 9am - 6pm
Friday 9am - 6pm

Telephone

+441784443922

Alerts

Be the first to know and let us send you an email when Department of Drama, Theatre & Dance - Royal Holloway posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The University

Send a message to Department of Drama, Theatre & Dance - Royal Holloway:

Share