Slade School of Fine Art

Slade School of Fine Art An art school with a world leading reputation, The Slade makes a significant contribution to the field of national & international contemporary art.

If you are a Slade alumnus we would like to stay in contact with you. You can keep in touch by:

• Sending us your news to [email protected] so that we can include it in the news section of the Slade website at http://www.ucl.ac.uk/slade/news

• Subscribing to the slade-alumni-users email list so that you can keep in touch with each other and exchange news
http://w

ww.mailinglists.ucl.ac.uk/mailman/listinfo/slade-alumni-users

• Joining the Friends of the Slade at
http://www.ucl.ac.uk/slade/people/friends

• You can also find us on LinkedIn http://www.linkedin.com/groupRegistration?gid=3752999 and follow us on Twitter https://twitter.com/ #!/sladeschool

Slade Summer School - courses this summer include Papermaking with plants,  Drawing, Kintsugi - In Praise of Brokenness ...
04/06/2026

Slade Summer School - courses this summer include Papermaking with plants, Drawing, Kintsugi - In Praise of Brokenness and The Art of Looking and lots more. Join us this summer.

Led by tutors and assistants from across the Slade community, our courses blend traditional and contemporary approaches in a vibrant, creative environment at the Slade building in Bloomsbury, London.The courses offer a great opportunity to learn or develop your skills and suit different levels of experience.

Our Summer School includes a free evening programme of artist talks, exhibitions, and art films — open to all attendees.

Paper Making with Plants, 6–10 July
Drawing, 6–17 July
Kintsugi - In Praise of Brokenness, 13– 5 July
The Art of Looking, 13 - 17 July

To find out more, see the Short Courses link 🔗 in our bio https://www.ucl.ac.uk/slade/study/short-courses/.

🌞Applications are open for two widening participation programmes: Access Summer School Art & Technology and Access Summe...
03/06/2026

🌞Applications are open for two widening participation programmes: Access Summer School Art & Technology and Access Summer School Fine Art.

Free two-week programme open to year 11, 12 and Level 3 FE College students living in or near London.

Lunch is provided daily and travel expenses are covered. Students will take part in hands-on workshops led by practising artists, visit London galleries, and take part in a final group exhibition. They will also receive portfolio support and guidance with their undergraduate art school applications.

This is a wonderful opportunity for students who are passionate about art and creativity to experience what it is like to study at a leading UK art school, in a supportive, inclusive and inspiring environment.

For more information, see: https://www.ucl.ac.uk/slade/project/widening-participation/slade-widening-participation-summer-courses-2026/
Apply by 18 June 2026.

Access Summer School Art & Technology
📆27 July – 7 August 2026
📍UCL East Campus, Stratford, London E20 2AE
Free two-week programme open to year 11,12 and Level 3 FE College students living in or near London
Apply by 18 June 2026

Access Summer School Fine Art
📅Either: 27 July – 7 August 2026
Or: 10 August – 21 August 2026
📍UCL, Bloomsbury Campus, Gower Street, London WC1E 6BT
Free two-week programme open to year 11,12 and Level 3 FE College students living in or near London
Apply by 18 June 2026

Meet Natalia Pavlovicova (), who is in her final year, MFA Fine Art (Fine Art Media).In her art practice, Natalia explor...
02/06/2026

Meet Natalia Pavlovicova (), who is in her final year, MFA Fine Art (Fine Art Media).

In her art practice, Natalia explores the complex, often unresolved nature of seeking and attempting safety, both on the level of personal experience and within broader institutional frameworks. She focuses on the tendency of safety endeavours to fail, whether because of the fragility, porousness of material conditions, or the vulnerability of security practices to slump into self-perpetuation or overprotection. She is particularly interested in the moments when the safety efforts become ineffective or counterproductive.

Her work takes the form of sculptural installations and media-based pieces. She constructs variations of safe spaces, frequently returning to the form of a shelter, improvised and unstable, and that of a nest, providing protection while defying exclusion, isolation. In her moving-image works, Natalia explores intimate tensions, often within constructed environments where performance is employed as a protective / enabling strategy. Across her practice, she considers how physical form reflects the conceptual thinking behind the work, drawing on a sense of urgency in her installations through the use of provisional materials, such as duct tape and bandages, alongside everyday objects.

Natalia will be showing in our MA/MFA Degree Show, which opens on 12 June.

📷
1. Natalia Pavlovicova, photo credit: Nicolas Wäckers
2. Nicu, 2025, installation (plywood construction, duct tape, various objects), 82 x 82 x 65 cm 3. Nicu iii, 2026 installation (plywood construction, duct tape, corner shelf, Yale Passive Movement Detector)
4. Carnivxxlesque, 2025, still from video work (16 mm film footage combined with digital video), 2 min 18 s
5. Cherries (Plain things), 2025, selected photograph from series of Polaroids, 10.8 x 8.8 cm each

Meet Eshq Hasnath who has completed their final year BFA Fine Art (Sculpture).Eshq Hasnath (b.2001) is a London based Ba...
01/06/2026

Meet Eshq Hasnath who has completed their final year BFA Fine Art (Sculpture).

Eshq Hasnath (b.2001) is a London based Bangladeshi artist. Prior to Slade School of Fine Art, he spent his formative years in Wales. The experience of growing up in Dhaka, Bangladesh and moving to the UK at a young age informs his spatial understanding of “home”. The “home” becomes the “primary way of inhibiting” through which the poetic image is transcribed from. Performing choreographic resistance within the “in between” spaces, sculptural interventions become complex systems in response to rigid frameworks.

He uses the interaction between hand woven traditional sari, welded steel structures, hand blown glass, wood, found materials, and personal objects in the forms of organic, the household, and British architectural styles to create pocket universes. The “portals” create a world in which the viewer, objects, space transcends the finitude of sociopolitical barriers where “identity” is constructed.

Adopting aesthetics of British architecture, from Georgian corner hangs, Victorian doors, Roman era window grilles, the motifs are transformed to become incomplete, slightly unsettling, and fragmented. Domestic rituals, indigenous means of production, the mechanical second nature, amorphous forms don’t collapse onto each other but coexist within a sacred configuration to awaken the collective dream.

📷
1: Eshq Hasnath
2-3: Installation shots of “untitled {{wash my eyes}}”
4: “Did Akhmatova ever dream of becoming?” detail view, 2026
5: “Looking down from the Cornish cliffs, the white froth against the turquoise body” mild steel, glass tiles, archival brackets, 2026, 80x80cm
6: “this is where you rest, under the stars, over their shoulders” detail view, 2026

Photo credits:
(photo 1)


Two hundred years of UCL history in stone.

Spolia Index is a new permanent artwork by  – ’s Dr James O’Leary and ’s Pro...
31/05/2026

Two hundred years of UCL history in stone.

Spolia Index is a new permanent artwork by – ’s Dr James O’Leary and ’s Professor Kristen Kreider – now on display at ’s Bloomsbury campus – the first commission in the UCL200 Public Art Programme.

The installation features a 15-metre frieze of Purbeck stone, a neon work and York stone salvaged from the UCL Quad, each piece inscribed with hand-cut glyphs drawn from the university’s archives.

🗓️ Join us for the official opening on Wednesday 17 June, from 5pm to 8pm, in the South Cloisters, Wilkins Building.

Pre-booking essential - book via link in bio

📸 Richard Stonehouse




Meet Aaron Kudi (.kudi) in his final year. MFA Fine Art (Painting).Aaron Kudi (b. 1993, Nigeria, lives and works in Lond...
30/05/2026

Meet Aaron Kudi (.kudi) in his final year. MFA Fine Art (Painting).

Aaron Kudi (b. 1993, Nigeria, lives and works in London) makes paintings in liquid metal, industrial enamel, and ink on cotton duck and tarpaulin. Working floor-based, with gravity and oxidisation as primary collaborators, the practice enacts a foundational theology Kudi names the Weeder’s Hand drawn from West African agricultural tradition, the practice of attending to what the ground produces rather than imposing upon it. What remains on the surface after the radical editing is not what survived. It is what was judged necessary.

The work proceeds through sustained bodies that occupy conditions of human extremity as formal rather than illustrative problems. The current sequence is theological: Gethsemane, Calvary, Holy Saturday. Each station holds its condition without reaching for the next. Kudi extends the Zaria Art Society’s Natural Synthesis the argument that modernism can be constructed from any epistemological position through the diaspora and into the present, grounded in Édouard Glissant’s poetics of opacity. The inheritance runs through Winston Branch and Jimoh Akolo into Howardena Pindell’s, Helen Frankenthaler punctured surfaces, and the present conditions of British abstraction.

"Calvary: Roses Should Have Grown Here" opens at the Slade School of Fine Art, June 13th , 2026.

📷
1. Aaron Kudi
2. (Left) Aporia of the Molten Core, 150x120cm (Right) Syllables for a Midnight Vigil, 150x120cm
3. Syllables for a Midnight Vigil, 150x120cm
4. (Central) Pillars of the Firmament, 190x190cm; (Left)Lazarus, 150x120cm;
(Right) Gethsemane, 150x120cm
5. As above (right) Extraction of the Unguent, 190x190cm
All works: liquid metal, enamel, ink on cotton

Meet Amanda Offor (), who has just completed her final year BFA Fine Art (Painting).Amanda Offor (b. 2000, Chicago) is a...
29/05/2026

Meet Amanda Offor (), who has just completed her final year BFA Fine Art (Painting).
Amanda Offor (b. 2000, Chicago) is a Nigerian-American artist whose practice spans charcoal, oil, pastel, ceramic, glass, and metal. She adapts various mediums to navigate the grief of her loved ones, often exploring the ways nostalgia can be reconstructed or falsified. Offor commenced her BFA at Cornell University before continuing her practice at the Slade School of Fine Art.
Across mediums, she combines material experimentation with conceptual rigor, using diverse materials to convey emotional and psychological landscapes. Most recently, Offor has included oil-painted ready-made works cast in Benin City as the product of her ongoing research into the material and its associations with her personal history. As part of this research, Offor edited the anglicised names of her tribe and their artefacts that were a part of UCL’s ethnographic collection.
Through her interdisciplinary approach, Offor demonstrates a sustained professional commitment to craft, creating work that is technically skilled, materially inventive, and deeply engaged with the human experience of memory and loss.
📷

1.Amanda Offor
2–5. Installation photographs from Slade BA/BFA Degree Show 2026

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🌟Last chance to see our BA/BFA Degree Show, which closes at 8pm TODAY - don't miss it!The Degree Show Shop is also open ...
28/05/2026

🌟Last chance to see our BA/BFA Degree Show, which closes at 8pm TODAY - don't miss it!

The Degree Show Shop is also open on the ground floor, selling prints, ceramics, publications and more besides.

Open: Thursday 28 May 10am–8pm.

Free, all welcome.

📷
1. Lily Tyler
2. Miho Nakagawa
3. Ruby Fogg
4. Umar Ahmed
5. Eshq Hasnath
6. Matilda Allison
7. Kirsten Franks
8. Vidan Ana
9. Icy White
10. Heddwen Siân Campbell

Edie Forrester (.blue.creatures), currently showing in our BA/BFA Show, is an artist and electronic musician exploring t...
27/05/2026

Edie Forrester (.blue.creatures), currently showing in our BA/BFA Show, is an artist and electronic musician exploring the connections between horror, philosophy and our relationship to non-human, ecological worlds. Edie explores strategies of kinetic sculpture, detailed model making and the tensions between figurative and abstract ways of representing thought.

Come and interact with the works at the show!

Our BA/BFA Show ends tomorrow Thursday 28 May, 10am-8pm.

We were very sorry to hear that Tess Jaray has died. Tess was a great artist and an inspirational tutor.We send our thou...
27/05/2026

We were very sorry to hear that Tess Jaray has died. Tess was a great artist and an inspirational tutor.

We send our thoughts and condolences to her family and friends.

📷
Tess Jaray in her Studio, 2024
Photo: Jack Elliot Edwards

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