19/01/2023
📣 Register for our upcoming Exhibition Histories symposium 'Precarious Solidarities: Artists for Democracy (1974–77)’!
Date: 2 February 2023
Time: 10:00–17:00 (GMT)
Location: Online
*Please note: updated timing. February 1st has been called as a strike day for universities alongside other public sector workers in the UK. In recognition of this, the programme will take place on 2nd February only.*
This symposium takes Artists for Democracy as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilisation. Artists for Democracy formed in London in 1974 to give ‘material and cultural support to liberation movements worldwide’. The founding group included Guy Brett, John Dugger, David Medalla and Cecilia Vicuña, and their first major initiative was the ‘International Arts Festival for the Chilean Resistance’ (1974). The group then reconvened in a squatted building at 143 Whitfield Street as a space for exhibitions, events, meeting and organising.
Drawing from approaches in exhibition studies, this gathering will approach these histories through an intersection of multiple overlapping agencies and conditions of possibility – artistic, social, political, historical and geographic – to explore what we can learn from Artist for Democracy’s histories today. Contributors will include George Clark & Cuong Pham with An Viet Archive, Wing Chan, Jane England, Charles Esche, Hannah Healey, Eileen Legaspi-Ramirez, María José Lemaitre & Caroll Yasky (Museo de la Solidaridad Salvador Allende), Lynn MacRitchie, Courtney J. Martin, Arianna Mercado, Adeena Mey, Jonathan Miles, David Morris, Nii Kwate Owoo, Vijay Prashad, Jun Terra, Yaiza Hernández Velázquez and Cecilia Vicuña.
🔗 in the bio for the registration link!
[Photo: Artists for Democracy, stickers created by several artists, among them Cecilia Vicuña and David Medalla, for the Arts Festival for Democracy in Chile, held at the Royal College of Art in London, 1974. Courtesy of Cecilia Vicuña’s archive.]