09/03/2026
Come join us for our research seminar with Dr Christine Joynes of Regent's Park College, Oxford, presenting "Reframing the Canon: Art and Biblical Interpretation." It is this Wednesday, 3 pm, in Humanities A01. One of the artists to be discussed is Genesis Tramaine. Here is the presentation abstract:
Abstract: This paper examines the relationship between art and biblical interpretation by engaging in dialogue with the work of Genesis Tramaine and Emily Young. Tramaine’s work is held in many permanent collections including the National Gallery of Art, Washington DC. Young has been described as the ‘greatest living British sculptor’, whose sculptures appear in many ecclesiastical settings, including Salisbury Cathedral. Considered together, their work offers important insights for developing a Theology and Visual Art methodology. I begin by identifying existing boundaries in current Theology and Visual Art approaches, highlighting problems raised by the biblical texts missing from the art repertoire as well as the dominance of a Eurocentrism in the art canon. Tramaine’s work challenges some of these boundaries, for example through her ‘focus on the shape and definition of the American Black Face’ in her biblical paintings. My discussion of Emily Young’s work brings art, biblical interpretation and disability studies into the frame. The essay unpacks the significance of Young’s sculpting technique and her portrayal of bodies to question whose voices are included in a Theology and Visual Art methodology. Analysis of her work also highlights how the artist’s intention is not determinative when evaluating the biblical resonances of a piece of art. The paper concludes by supporting the contention that this emerging area of study needs to unsettle settled presuppositions and avoid reinscribing exclusivism that has plagued some other areas of biblical interpretation.
Discover the artworks of Genesis Tramaine. Learn more about the artist, and explore their biography, bibliography, and exhibitions.