28/05/2026
𝐓𝐡𝐞 𝐀𝐫𝐭 𝐨𝐟 𝐁𝐮𝐧𝐫𝐚𝐤𝐮 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐞𝐝 𝐛𝐲 𝐆𝐒 𝟏𝟗𝟕 𝐒𝐭𝐮𝐝𝐞𝐧𝐭𝐬 🎭
On Monday, May 25, 2026, undergraduate students of 𝗚𝗦 𝟭𝟵𝟳: 𝗝𝗮𝗽𝗮𝗻𝗲𝘀𝗲 𝗧𝗿𝗮𝗱𝗶𝘁𝗶𝗼𝗻𝗮𝗹 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗣𝗿𝗮𝗰𝘁𝗶𝗰𝗲 presented their culminating performance for the Second Semester AY 2025–2026 titled “𝙀𝙭𝙥𝙚𝙧𝙞𝙚𝙣𝙘𝙚 𝙩𝙝𝙚 𝘼𝙧𝙩 𝙤𝙛 𝘽𝙪𝙣𝙧𝙖𝙠𝙪.” The showcase highlighted the discipline, coordination, and artistry of Bunraku, Japan’s traditional puppet theater, in which three 𝘯𝘪𝘯𝘨𝘺𝘰 𝘵𝘴𝘶𝘬𝘢𝘪 or puppeteers — the head and right-hand puppeteer, left-hand puppeteer, and foot puppeteer — move in complete synchronization to bring a single puppet to life.
The performance was attended by distinguished guests led by former UP College of Arts and Letters Dean and UP Department of Speech Communication and Theater Arts (DSCTA) faculty Prof. Amihan Ramolete, a pioneering member of the UPCIS Bunraku Ensemble in 2013, who came together with performing arts student interns from Bulacan State University. Also present was Khen del Prado, an alumnus of the BA Philippine Studies program and a member of the Bunraku Ensemble since 2018, as well as UP alumni Stella Herras Lundqvist and Elvira Lorenzo. Joining them in the audience were UPCIS Korean Dance lecturer Ms. Jo Jangeun, UPCIS Director Ramon Guillermo, former UPCIS Director Cynthia Neri Zayas, and the parents, siblings, and friends of the GS 197 students.
The program featured three performances:
🌊 𝙀𝙗𝙞𝙨𝙪 𝙈𝙖𝙞 (𝙏𝙝𝙚 𝘿𝙖𝙣𝙘𝙚 𝙤𝙛 𝙀𝙗𝙞𝙨𝙪) – a lively opening piece dedicated to the god of prosperity and fishermen. It featured puppeteers: 𝗥𝗮𝘃𝗲𝗹 𝗩𝗶𝗻𝗰𝗲𝗻𝘁 𝗕𝗮𝗿𝘁𝗼𝗹𝗼𝗺𝗲 (Head and Right Hand Puppeteer), 𝗔𝗻𝗷𝗼𝗿𝘆𝗶𝗻 𝗞𝗲𝗲𝘇𝗵𝗶𝗮 𝗖𝗮𝗼𝗶𝗹𝗲 (Left Hand Puppeteer), and 𝗟𝘆𝗱𝗶𝗮 𝗩𝗶𝘁𝘁𝗼𝗿𝗶𝗮 𝗖𝗮𝗯𝗮𝗻𝗹𝗶𝗴 (Foot Puppeteer), accompanied by five 𝘵𝘢𝘺𝘶̄ or chanters — 𝗙𝗶𝗼𝗻𝗻𝗮 𝗠𝗮𝗲 𝗔𝗻𝗱𝗿𝗮𝗱𝗮, 𝗞𝘆𝗹𝗲 𝗘𝗿𝗶𝘀 𝗚𝗮𝗰𝗶𝗮𝘀, 𝗟𝗮𝗻𝗰𝗲 𝗥𝗮𝗳𝗮𝗲𝗹 𝗘𝘀𝗽𝗶𝗿𝗶𝘁𝘂, 𝗝𝗼𝗮𝗻𝗻𝗮 𝗔𝗻𝘁𝗼𝗻𝗲𝘁𝘁𝗲 𝗠𝗮𝗿𝗮𝗯𝘂𝘁, and 𝗝𝗼𝗮𝗾𝘂𝗶𝗻 𝗩𝗮𝗹𝗼𝘂𝗿 𝗩𝗶𝗹𝗹𝗮𝗿𝘁𝗮 — who performed the original chant in Japanese despite many of them having no prior background in the language. Assisting the performance were stage hands 𝗝𝗲𝗮𝗻𝗲𝗹𝗹𝗮 𝗙𝗮𝘆𝗲 𝗚𝗿𝗮𝗰𝗲 𝗕𝗮𝘀𝗯𝗮𝘀 and 𝗡𝗶𝗸𝗼𝗹𝗮𝘀 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗮𝗻 𝗦𝗲𝗯𝗮𝘀𝘁𝗶𝗮𝗻 𝗟𝗮𝗰𝘀𝗼𝗻.
✊ 𝙋𝙖𝙜-𝙞𝙗𝙞𝙜 𝙨𝙖 𝙏𝙞𝙣𝙪𝙗𝙪𝙖𝙣𝙜 𝙇𝙪𝙥𝙖 – a restaging of the 2016 UPCIS Bunraku adaptation of the poem and song by Andres Bonifacio portraying the enduring love and shared struggle of Bonifacio and his wife, Gregoria de Jesus. The Gregoria de Jesus Puppet team was composed of 𝗞𝘆𝗹𝗲 𝗘𝗿𝗶𝘀 𝗚𝗮𝗰𝗶𝗮𝘀 (Head and Right Hand Puppeteer), 𝗡𝗶𝗸𝗼𝗹𝗮𝘀 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗮𝗻 𝗦𝗲𝗯𝗮𝘀𝘁𝗶𝗮𝗻 𝗟𝗮𝗰𝘀𝗼𝗻 (Left Hand Puppeteer), and 𝗟𝘆𝗱𝗶𝗮 𝗩𝗶𝘁𝘁𝗼𝗿𝗶𝗮 𝗖𝗮𝗯𝗮𝗻𝗹𝗶𝗴 (Foot Puppeteer), while the Andres Bonifacio Puppet team consisted of of 𝗟𝗮𝗻𝗰𝗲 𝗥𝗮𝗳𝗮𝗲𝗹 𝗘𝘀𝗽𝗶𝗿𝗶𝘁𝘂 (Head and Right Hand Puppeteer), 𝗝𝗲𝗮𝗻𝗲𝗹𝗹𝗮 𝗙𝗮𝘆𝗲 𝗚𝗿𝗮𝗰𝗲 𝗕𝗮𝘀𝗯𝗮𝘀 (Left Hand Puppeteer), and 𝗧𝗶𝗳𝗳𝗮𝗻𝘆 𝗖𝗿𝘂𝘇(Foot Puppeteer).
👶 Ugoy ng Duyan - a 2025 Bunraku adaptation inspired by the lullaby composed by National Artist Lucio San Pedro but critically reinterpreted in response to a concept suggested by Prof. Zayas. The Mother puppet team included 𝗝𝗼𝗮𝗾𝘂𝗶𝗻 𝗩𝗮𝗹𝗼𝘂𝗿 𝗩𝗶𝗹𝗹𝗮𝗿𝘁𝗮 (Head and Right Hand Puppeteer), 𝗕𝗲𝗮𝘁𝗿𝗶𝗰𝗲 𝗔𝗹𝗹𝘆𝗻𝗻𝗲 𝗖𝗮𝗯𝗮𝗹𝗲𝘀 (Left Hand Puppeteer), and 𝗙𝗶𝗼𝗻𝗻𝗮 𝗠𝗮𝗲 𝗔𝗻𝗱𝗿𝗮𝗱𝗮 (Foot Puppeteer), while the Son puppet team featured 𝗥𝗮𝘃𝗲𝗹 𝗩𝗶𝗻𝗰𝗲𝗻𝘁 𝗕𝗮𝗿𝘁𝗼𝗹𝗼𝗺𝗲 (Head and Right Hand Puppeteer), 𝗔𝗻𝗷𝗼𝗿𝘆𝗶𝗻 𝗞𝗲𝗲𝘇𝗵𝗶𝗮 𝗖𝗮𝗼𝗶𝗹𝗲 (Left Hand Puppeteer), and 𝗝𝗼𝗮𝗻𝗻𝗮 𝗔𝗻𝘁𝗼𝗻𝗲𝘁𝘁𝗲 𝗠𝗮𝗿𝗮𝗯𝘂𝘁 (Foot Puppeteer).
UPCIS acknowledges with gratitude its artistic collaborators. For Pag-ibig sa Tinubuang Lupa, the puppet dance featured music by Restie Umali interpreted by coloratura soprano Luz Morete, accompanied on the piano by concert pianist and current director of the Philippine High School for the Arts (PHSA), Greg Zuniega. Featuring costumes by Darwin Desoacido, a theater arts alumnus and member of the Bunraku Ensemble since 2014, the Bunraku pas de deux was brought to life through the choreography of Joanne Ko–de la Calzada, an alumna of the PHSA, the UP College of Music Dance Program, and Ballet Philippines.
For Ugoy ng Duyan, UPCIS also extends its gratitude to Kim Quinola of the College of Home Economics’ Department of Clothing, Textiles and Interior Design for the costumes; Rowena Bayon, a PHSA and UP alumna for the props; Jethro Joaquin, former faculty member of DSCTA for the sound design; and Edith Gordoncillo — an alumna of PHSA, Ballet Philippines, and Philippine Educational Theater Association (PETA) for the choreography.
Congratulations to our students, mentors, artistic collaborators and production team for a successful performance celebrating intercultural engagement, creativity, and rigorous performance practice.
どうもありがとうございました。