02/16/2021
Please join the art department for this lecture special lecture featuring Phi Beta Kappa visiting scholar Professor Zoë Strother.
The lecture will be presented on Zoom March 2nd, at 4:30 PM EST.
There is a long history of Central Africans depicting Europeans and Americans. Vili ivory sculptors made some of the only surviving portrayals by Africans of the worldwide slave trade. Yaka and Nkanu caricatured Europeans during boys’ initiations in order to provide models of how not to be a man. During the colonial period, Europeans appeared on a wide variety of media, including free-standing sculptures, engraved gourds, house murals, sculpted chairs. It is a paradox that some of the most light-hearted images of Europeans were produced during the periods of the worse violence, often in the form of diplomatic gifts. The talk ends with reflections by artists on the role of humor in making visible the mechanics and ethics of power in the Democratic Republic of the Congo and in the global economy.
Z. S. Strother is Riggio Professor of African Art at Columbia University. She had conducted three years of fieldwork in the Democratic Republic of the Congo and has worked on other research projects in Nigeria, Ethiopia, and Senegal. Her broad intellectual project is to understand the role of the image in society and its changing history. She has published widely on masquerade, architecture, and photography in Africa. Her books include Inventing Masks: Agency and History in the Art of the Central Pende and Humor and Violence: Seeing Europeans in Central African Art. Strother has been a fellow of the Guggenheim Foundation, NEH, ACLS, Getty Research Institute (GRI), Metropolitan Museum of Art, National Gallery of Art (CASVA), Michigan Society of Fellows, and the U.S. Information Agency (Fulbright). A forthcoming book to be published with the GRI is “The Uncanny Guest: Masks in Theory and Practice from Europe to Africa.”
Professor Strother's virtual visit to Oberlin is sponsored by the Phi Beta Kappa Society's Visiting Scholar Program and Oberlin Art History's Baldwin endowment.