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Amazing experience at Jagriti Theatre in Bengaluru / Bangalore, India.  Patty Gallager amazed me once again as the Poet ...
11/13/2023

Amazing experience at Jagriti Theatre in Bengaluru / Bangalore, India. Patty Gallager amazed me once again as the Poet in Lisa Peterson and Denis O'Hare's AN ILIAD. Jake Sorgen's music played beautifully in concert with Patty's tour-de-force performance. Grateful to our Jagriti hosts and the brilliant audiences who kept the conversation going in the lobby. Directed by Me; photos by Priya Srinivas

https://www.monsterstudies.ucsc.edu/2023festivalIncredibly excited to be part of this year's festival.  Come see a stage...
07/02/2023

https://www.monsterstudies.ucsc.edu/2023festival

Incredibly excited to be part of this year's festival. Come see a staged reading of the new version of my play GRENDEL'S MOTHER.

2023 Festival of Monsters — hosted by the UC Santa Cruz Center for Monster Studies — includes an academic conference, plus performances, readings, presentations from monster-makers, and an exhibit at the Santa Cruz Museum of Art and History (MAH) entitled Werewolf Hunters, Jungle Queens, and Spa...

06/02/2023

Brandt is currently associate chair and artistic director of the department of theater and film at San Jose State University.

04/20/2023

Halfway thru the Dramatists Guild's END OF PLAY month... set out to rewrite one play and got inspired to write another! lol.

https://www.ohlone.edu/theatredance/playwrightsfestivalSo fun to write a 10-minute play for Ohlone College's Playwrights...
03/30/2023

https://www.ohlone.edu/theatredance/playwrightsfestival
So fun to write a 10-minute play for Ohlone College's Playwrights Festival!

The Student Repertory Theatre Company presents the 7th annual Ohlone College Playwrights Festival 2021, Premieres of 10-Minute Plays and Musicals. The pre-recorded performance will be broadcast at 7pm on Friday, May 14 and at 7pm on Saturday, May 15. The performances will only be available to be vie...

I love being an Extramural Affiliate at The Center for Monster Studies and am thrilled my play help spark life into it!
03/15/2023

I love being an Extramural Affiliate at The Center for Monster Studies and am thrilled my play help spark life into it!

The Center for Monster Studies at UC Santa Cruz may have a fanciful name—but its leaders say serious study of these frightful fictional beings shows how much they have to teach us.

I can't wait to see this show!
03/02/2023

I can't wait to see this show!

The local theater community rallied around Erin Merritt to ensure she could direct 'Tea Party' by Gordon Dahlquist.

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About Kirsten Brandt

Kirsten Brandt is an interdisciplinary artist and educator whose practice embraces inquiries into gender, science and politics. A theatrical director, playwright and advocate, her passion lies in igniting the imagination of audiences through visceral storytelling and visual poetry to encourage dialogue and ethical engagement.

For seven years, Brandt served as the Artistic Director of Sledgehammer Theatre, San Diego’s leading alternative theatre company. Under her leadership, the company experimented with theatrical form and non-linear storytelling through devised ensemble performances and re-interpretations of classics. The productions served as catalysis to bring social and political issues into the realm of public discourse and through this immediacy reflect on the human condition. At Sledgehammer, she forged a distinct directing style that continually investigates the balance between spoken text and theatrical movement.

As a free-lance director, Brandt’s approach to her explorations encourages curiosity with her collaborators. She views each production – be it classical works such as Greek drama, Shakespeare and Ibsen or new plays and musicals – as an opportunity to understand the universality of our experiences, our commonalities and to widen our perspectives.

Since 1999, with her feminist and biotechnology-fueled adaptation of Frankenstein called The Frankenstein Project, Brandt has explored the intersection of projected media and live performance which garnered her a grant from the NEA to continue those investigations with The Frankenstein Project 2.0. Her explorations into telematics with The Thinning Veil and installation, interactive performance art with Thirsting for Salt and Launching Ships have lead her to examine the phenomenology of digital media and performance technologies and our relationship to it.