27/10/2026
The UP College of Music Department of Musicology invites you to the MusiKolokya,
“Just Sing… Don’t Play The Piano!”: Filipinas, Gender, and the Jazz Scene in the 1950s-1960s
Krina Cayabyab
What was Manila’s jazz scene like through the lives of Filipina singers after the Second World War until the 1960s? While serving as working musicians in the region’s entertainment circuit, women had jazz songs in their repertoire, their few domestic mainstream press advertisements linked them to jazz, and their presence in the scene was remembered by the community, though faintly. Jazz was experienced and signified differently from American jazz culture, especially in the context of a post-colonial nation. Journalistic publications such as dailies and weeklies, particularly those based in Manila, are also analyzed: What attitudes did male journalists exhibit and promote as they wrote about the scene, the music, the men, and the women? How were patriarchal and elite prescriptions of “Filipino-ness” integrated in jazz? Equally, in what ways can the work of women journalists be understood as a feminist act if not alluding to modern Filipina femininities? How were these reflected in their articles about jazz women, as well as men? At the same time, there are social parallels of experiences between jazz in the Philippines and in the United States that reflect the translocality of jazz cultures, such as style conventions, repertoire, and the dominance of male participation. This paper reflects on the entrenched gendered dynamics of jazz and social orientations of Filipina singers intertwined with jazz—crucially shaping Manila’s post-WWII scene history.
Krina Cayabyab composes and arranges for theatre, events, vocal music, films, and performs with the vocal trio, Baihana. She received her PhD in Music degree from the University of Edinburgh, with a research focus on a postcolonial history of jazz in Manila, Philippines. She is an Assistant Professor at the Department of Musicology, University of the Philippines, where she earned both her bachelor’s in choral conducting and master’s in musicology. Her research interests revolve around transdisciplinary methods in popular music studies, especially in the context of Filipinos.
Date: October 28, 2026
Time: 4:45pm
Venue: Museum of Instruments