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SCI-Arc The Southern California Institute of Architecture (SCI-Arc) is an independent, accredited school of architecture in Los Angeles, CA. www.sciarc.edu
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It offers graduate and undergraduate degrees, public programs and lectures. Southern California Institute of Architecture (SCI-Arc) is dedicated to educating architects who will imagine and shape the future. It is an independent, accredited degree-granting institution offering undergraduate and graduate programs in architecture. Located in a quarter-mile-long former freight depot in the Arts District in Downtown Los Angeles, the school is distinguished by its vibrant studio culture and emphasis on process. SCI-Arc’s approximately 500 students and 80 faculty members, most of whom are practicing architects, work together to re-examine assumptions, create, explore and test the limits of architecture. SCI-Arc faculty and leadership have garnered more than 500 national and international design awards and recognitions, including Progressive Architecture awards, American Institute of Architects (AIA) awards, and the prestigious Jencks and Pritzker architecture prizes. SCI-Arc is ranked 1st in computer applications and 2nd in design in the 2013 America’s Best Architecture Schools survey from DesignIntelligence, and #1 graduate and undergraduate architecture school in Western U.S.

10/28/2026

In this film we celebrate the 2026 EDGE Symposium, where the faculty and graduating class of SCI-Arc EDGE, the Center for Advanced Studies in Architecture, present their postgraduate work. Moving across the four EDGE programs, from the round-table conversations of Synthetic Landscapes and Design Theory & Pedagogy to the installations of Architectural Intelligence: AI, Platforms, Automation and Fiction + Entertainment, the film draws their speculative research, technical experimentation, and critical inquiry into a single rhythmic sweep. Two days of presentations, exhibitions, and conversations culminate in this portrait of the graduating class and its groundbreaking work.

Learn more about SCI-Arc Postgraduate programs: https://bit.ly/3mXJTlH

Watch the full film on SCI-Arc Channel: https://bit.ly/4zD35Ks

Please join us on Wednesday, November 4 at 6pm at SCI-Arc and online for a lecture from Frank Escher and Ravi GuneWarden...
10/26/2026

Please join us on Wednesday, November 4 at 6pm at SCI-Arc and online for a lecture from Frank Escher and Ravi GuneWardena: Interactions with History.

More information and livestream: https://www.sciarc.edu/events/lectures/interactions-with-history

Frank Escher and Ravi Gunewardena, principals of EscherGunewardena Architecture, will examine a lineage of 20th century architectural history that positions Los Angeles as a laboratory for experimental residential design. The lecture will interrogate the historical and cultural forces that informed the work of exemplary architects such as Richard Neutra, John Lautner, Rudolf Schindler, Paul R. Williams, and Gregory Ain.

Drawing on their dual perspectives as researchers and conservation architects of seminal structures by these architects, Escher and Gunewardena will illuminate both canonical achievements and the lesser-known narratives embedded within these projects and reflect on Los Angeles’s enduring legacy as a site of radical spatial innovation and its impact on 20th-century architectural discourse.

Graduate Thesis 2026 Merit Prize project by Constantin Gardey with advisor David Eskenazi.Apply now for Fall 2027! Learn...
10/26/2026

Graduate Thesis 2026 Merit Prize project by Constantin Gardey with advisor David Eskenazi.

Apply now for Fall 2027! Learn more about SCI-Arc Graduate Programs: https://www.sciarc.edu/academics/graduate/why-sci-arc

A Grey Site

Let us begin with a site visit recounted through photography. The time of day, light and weather conditions are selected just for this moment. It is 6:30 a.m., the sky is overcast. The photographs flatten subjects and background, blending them together in tones of grey. Grey buildings on grey ground disappear into grey sky. The site’s vast flat ground spans across the two dimensionality of the photographs as a field of grey.

The site, Santa Monica Airport, exists in a grey area. More than a decade ago, Santa Monica voters elected to cease all new development on the airport's land in anticipation of its closure. At the time there were calls to develop a “great park” on the site. In the ensuing decade plenty of conflicting opinions and ambivalence have developed around what to do with the airport. The site can be many things to many people; affordable housing, an innovation hub, an entertainment district, a great park. Or, most likely, still an airport.

Landing on the runway, a monumental bar forces each of the site’s outcomes into contention. It is 1200’ long and 90’ tall. It is a “background” building, a building where the competing narratives play against it. Even at its scale, the building is an incisive turn away from masterplan. The building is built like a hangar, trussed and clad in sheet panel with few discernible openings. It is flat and grey. The blank shell contains a series of unspecific volumes, spaces for concerts, events, evacuations, markets. Its programs are civic or communal: an exhibition hall, a library, a design school.

10/23/2026

Recent SCI-Arc Graduate Shawn Chiki (.Chiki) bounces between designing playscapes in VR and building them in real life. In the one-year Fiction and Entertainment postgraduate program, Chiki has built their practice using play as a medium and method, filling the world with parkour obstacle courses, skateparks, and climbable sculptures.

Learn more about Fiction & Entertainment (SCIArc Fiction & Entertainment) at the Postgraduate Programs đź’ˇ link in bio.

Considering a graduate degree in architecture?Discover how SCI-Arc's Master of Architecture and Master of Science progra...
10/23/2026

Considering a graduate degree in architecture?

Discover how SCI-Arc's Master of Architecture and Master of Science programs lead the field in design innovation, advanced research, and critical discourse. Hear from Graduate and Postgraduate Programs Chair Nathan Hume and meet current students. Bring your questions to our admissions team about studio culture, life in Los Angeles, scholarships, and the application process.

Two Sessions are available:

🏗️ Friday, November 6 at 4pm PST
https://www.sciarc.edu/events/events/grad-online-open-house-1

đź’˝ Thursday, November 12 at 6am PST
https://www.sciarc.edu/events/events/grad-online-open-house-2

Graduate Thesis 2026 Merit Prize project by Hiina Nohara with advisor Anna Neimark.Apply now for Fall 2027 -- Learn more...
10/21/2026

Graduate Thesis 2026 Merit Prize project by Hiina Nohara with advisor Anna Neimark.

Apply now for Fall 2027 -- Learn more about SCI-Arc Graduate Programs: https://www.sciarc.edu/academics/graduate/why-sci-arc

Data lines across a shared field

A digitally uniform line becomes altered when translated into material through the repetitive movement of a pen plotter. Using chalk, markers, and crayons in varieties of tone, width, and softness, graphic qualities emerge by tuning the tool to situated decisions. The tactics of sharpening the chalk, dragging the pen, or dashing the path weave a field of interrelated vectors. Perfect reproduction becomes impossible. Material and temporal distortions allow projections and textures to describe tectonic layers and surfaces, both architectural and infrastructural. In the unfolded drawing, organizational systems connect elevational planes to reflected ceiling planes, extending continuities of pattern and construction to enfold a volume. Rather than treating architectural tools merely as mediums of representation, this thesis incorporates them into the process of design, turning digital data into material strokes.

The repetitive movement of the pen plotter parallels the mechanical systems that shape vast agricultural landscapes, energy grids, and data centers. Relating pen qualities to infrastructures of water collection, heat distribution, data storage, and energy flow brings drawing in direct relationship to design through daft repetition. The building project uses material lines to bring agricultural systems into dialogue with data center infrastructure through three flows: water, heat, and energy. Primitive agricultural infrastructures—canals, irrigation systems, and pipes—are translated into networks supporting the data center. In turn, the data center’s excess heat and energy are shared with the agricultural fields and greenhouses. The by-products of one system become resources for another, creating mutual benefits through conduits of lines. The project challenges the construction of massive data centers by decentralizing their large scale into a network of family-owned agriculturally beneficial units. The drawing process, using paper and ink, becomes the process of making this reciprocal infrastructure come to life. The organization of lines generated by the pen plotter across a shared field of paper connects the existing infrastructure of agriculture to new infrastructural networks of data centers, forming a new typology of farm sheds and barns.

Curious about studying at one of the top architecture schools in the U.S.?High school students and transfer students, an...
10/21/2026

Curious about studying at one of the top architecture schools in the U.S.?

High school students and transfer students, and their families, are invited to a special inside look at SCI-Arc's five-year Bachelor of Architecture program. Meet faculty and current students and see the work produced at our studios and labs. Get tips on building your portfolio, transferring credits, and being considered for merit scholarships.

Two Sessions are available:

đźš§ Thursday, November 5 at 4pm PST
https://www.sciarc.edu/events/events/barch-online-open-house-1

đź§± Tuesday, November 10 at 6am PST
https://www.sciarc.edu/events/events/barch-online-open-house-2

Project by B.Arch students Lina FĂĽllemann + Anthony Curio + Finn Flanagan for Kristy Balliet's Spring 2026 3B Studio.App...
10/19/2026

Project by B.Arch students Lina FĂĽllemann + Anthony Curio + Finn Flanagan for Kristy Balliet's Spring 2026 3B Studio.

Apply now for Fall 2027! Learn more about Undergraduate Programs: https://www.sciarc.edu/academics/undergraduate-program

Embedded Volumes

Located in Mexico City, this proposal for a performing arts center explores the monolith as both a formal language and an organizational strategy. The building is conceived as a single solid mass, wrapped in a continuous metal-panel facade that filters light while reinforcing its unified form. Inside, that language shifts into an assembly of distinct volumes, where six floors of double-height spaces organize theaters, performance venues, and supporting programs.

The project rethinks conventional theater typologies through a secondary exterior theater that functions as a public plaza by day and a recessed performance amphitheater by night. Drawing from the adjacent park, its circular pathways and open spaces inform the landscape and public realm, while the recessed building creates a generous civic approach and encourages everyday use of the site.

Ultimately, the project proposes that architectural language can hold multiple meanings at once. What first appears as a singular object reveals itself as a collection of interconnected spaces, demonstrating how a building can remain formally distinct while drawing from and responding to its surrounding context.

Join us on November 11-13 at SCI-Arc for a series of special events celebrating SCI-Arc’s alumni community.Over the cour...
10/17/2026

Join us on November 11-13 at SCI-Arc for a series of special events celebrating SCI-Arc’s alumni community.

Over the course of three days, SCI-Arc will host alumni, visiting architects and guests for conversations, exhibitions, tours and public programs.

Take advantage of the opportunity to engage with alumni and distinguished practitioners.

More information: https://www.sciarc.edu/events/events/building-forward-alumni

🔳 Wednesday, November 11: Symposium & Exhibition Opening

Alumni Symposium & Panel Discussion
5:00-7:00pm | W.M. Keck Lecture Hall

Exhibition Opening
Something from SCI-Arc: Six Decades of Graphics for Public Programs
Curated by Kevin McMahon, Library Manager
7:00pm | Kappe Library

Reception
7:30-9:00pm | W.M. Keck Lecture Hall

🔲 Thursday, November 12: Tours + Lecture

Selection of Architectural/Museum Tours + Alumni Mixer
by Rachel Malkenhorst, Director of Development
11:00am-3:00pm | W.M. Keck Lecture Hall

Lecture
LOVE, PEACE & ICE CREAM
Wolf Prix, [Alumni] and Founder at Coop Himmelb(l)au (Vienna, Austria)
6:00pm | W.M. Keck Lecture Hall

🔳 Friday, November 13: Book Launch & Gallery Opening

Book Launch
With and Without Walls: The Origins and Progress of SCI-Arc by Benjamin Smith (M.Arch 1 ’07)
12:30pm | Kappe Library

Lecture
Creating With…
Architect’s Talk by alumni Brendan MacFarlane (B.Arch ’84) and Dominique Jakob, Founders at Jakob+MacFarlane (Paris, France)
6:00pm | W.M Keck Lecture Hall

Exhibition Opening
Living With… comes to SCI-Arc
Alumni Brendan MacFarlane (B.Arch ’84) and Dominique Jakob, Founders at Jakob+MacFarlane (Paris, France)
7:00pm | SCI-Arc Gallery

Graduate Thesis 2026 Merit Prize project by Ana Adams with advisor Jackilin Hah Bloom.Apply now for Fall 2027! Learn mor...
10/17/2026

Graduate Thesis 2026 Merit Prize project by Ana Adams with advisor Jackilin Hah Bloom.

Apply now for Fall 2027! Learn more about SCI-Arc Graduate Programs: https://www.sciarc.edu/academics/graduate

After Preservation

Contemporary preservation practices often prioritize the continuity of a building's image, treating historic structures as complete artifacts to be maintained over time. This thesis challenges the assumption that preservation requires completeness and wholeness. Instead, it proposes preservation as a process of selective retention, translation, and replacement, in which architectural elements are evaluated according to their cultural significance rather than their material completeness. By reframing building preservation not as a matter of freezing whole buildings in history, but as an act of systematic partiality, fragmentation, and selective intervention, preservation becomes a framework for what culturally must remain, and what can be evolved.

The landscape of the failed 710 Freeway Extension conditions coinciding with Markham Place Historical District in Pasadena provides a testing ground for this approach. These conditions expose preservation not as a static act, but one of negotiation of memory, history, evolution, and future use. Through a series of architectural interventions across the corridor's "ghost houses," the project develops a methodology for fragmentary preservation in which culturally significant elements are retained while others are transformed, translated, or replaced.

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